フェルメールとその時代/ The public and the private in the age of Vermeer, Osaka Municipal Museum of Art, Osaka, 4 April 2000–2 July 2000, cat.no. Johannes Vermeer, National Gallery of Art, Washington, D.C., 12 November 1995–11 February 1996, Royal Cabinet of Paintings Mauritshuis, The Hague, 1 March 1996–2 June 1996, ISBN 0300065582, cat.no. 38.ĭe Rembrandt à Vermeer, Grand Palais, Paris, 1986, Cat.no. Mauritshuis, Dutch paintings of the Golden Age, National Gallery of Art, Washington, D.C., Kimbell Art Museum, Fort Worth, Texas, The Art Institute of Chigaco, Chicago, Los Angeles County Museum of Art, Los Angeles, The Art Gallery of Ontario, Toronto, The Metropolitan Museum of Art, New York City, 1982-1983, cat.no. V.ĭans la lumière de Vermeer, Musée de l'Orangerie, Paris, 24 September 1966–28 November 1966, cat.no. In het licht van Vermeer, Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague, 25 June 1966–5 September 1966, cat.no. Het Koninklijke Kabinet "Het Mauritshuis" in het Museum "Het Prinsenhof" te Delft, November 1950–April 1951. 134.ĭe Hollandsche schilderkunst van Jeroen Bosch tot Rembrandt, Koninklijk Museum voor Schone Kunsten, Antwerp, May 1946–June 1946, cat.no. Nederlandsche kunst van de XVde en XVIde eeuw, Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague, 1 September 1945–15 October 1945, Cat.no. Mostra di capolavori della pittura olandese, Galleria Borghese, Rome, 25 February 1928–18 April 1928, cat.no. 117.Įxposition hollandaise: tableaux, aquarelles et dessins anciens et modernes, Musée du Jeu de Paume, Paris, April 1921–May 1921, cat.no.
Tentoonstelling van schilderijen van Oude Meesters, Pulchri Studio, The Hague, 1890, cat.no. 38, 39 or 40 (?)ġ881: purchased by Arnoldus Andries des Tombe (1816-1902), The Hague, at the sale of the collection of Braams at an unknown auction house, The Hague, for ƒ 2.30ġ881: lent to the Royal Picture Gallery Mauritshuis, The Hague, by Arnoldus Andries des Tombe, The Hagueġ903: bequeathed to the Royal Picture Gallery Mauritshuis, The Hague, by Arnoldus Andries des Tombe, The Hague : sale of the collection of Dissius at an unknown auction house, Amsterdam, lot no.
#Girl with a pearl earring crack
When you zoom in, you can see every crack and blob of paint down to the level of 4.4-microns per pixel.Date QS:P,+/7,P580,+/9,P582,+/9: Jacob Dissius and Abraham Dissius (.-1694), Delft (?) This is the 10-billion-pixel panorama image they captured. Hirox 3D Digital Microscopy scanned Vermeer's Girl with a Pearl Earring using specialized equipment that captured it in ultra-high definition. You can see the entire Girl with a Pearl Earring painting panorama and the detailed 3D images here. “This blue pigment was more valuable than gold in the 17th century.” “It’s surprising how much high-quality ultramarine Vermeer used in the girl’s headscarf,” Mauritshuis conservator and project leader Abbie Vandivere says. The scan is so detailed, that it also allows historians to identify the pigments Vermeer used. The resulting images show the topography of the artwork, revealing the raised areas where Vermeer applied the most paint. Leonhardt and Sabatier also targeted 10 key areas of the painting in even higher resolution (1 pixel equaled 1.1 microns) to create 3D maps. Overnight, 9,100 photos were captured and stitched together to create one huge, 10-billion-pixel panorama image.
#Girl with a pearl earring full
The full scan of the painting was made with the Hirox 3D Digital Microscope RH-2000 at the Mauritshuis.
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